From seasick wobbles to glitchy bleep-bloops and “I think I can” huffs and puffs, the crazy sounding stuff was actually the easy part for them. So once you’re done maxing out different settings to hear what kinds of bizarre wowie-zowie sounds you can make with this thing, we encourage you to explore the subtleties of how each control interacts with the others, and the remarkable range of sounds that you can quickly and intuitively dial in. Gentle, lagging vibrato, 1980s style choruses, and even some doubling effects are possible…and then, turn up & go wild again.
While the digital chip sets the delayed wet signal, the initial gain stage, dry signal, LFO, control set and output mixing stage are entirely analog. The end result sounds rich and fat, with the same robust feel and power customers have come to expect from Caroline’s work.
